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<channel>
	<title>Thom Satterlee</title>
	<atom:link href="http://www.thomsatterlee.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.thomsatterlee.com</link>
	<description>Novelist, poet, translator</description>
	<lastBuildDate>Fri, 03 May 2013 23:26:59 +0000</lastBuildDate>
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		<item>
		<title>Reviews &amp; Interviews</title>
		<link>http://www.thomsatterlee.com/reviews-interviews/</link>
		<comments>http://www.thomsatterlee.com/reviews-interviews/#comments</comments>
		<pubDate>Fri, 03 May 2013 23:08:29 +0000</pubDate>
		<dc:creator>Thom Satterlee</dc:creator>
				<category><![CDATA[Asperger's Syndrome]]></category>
		<category><![CDATA[Copenhagen]]></category>
		<category><![CDATA[Copenhagen Police]]></category>
		<category><![CDATA[Denmark]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Søren Kierkegaard]]></category>

		<guid isPermaLink="false">http://www.thomsatterlee.com/?p=479</guid>
		<description><![CDATA[Here are links to recent reviews and interviews: &#160; Peterson, Amy Lepine.  “Thom Satterlee Celebrates Søren Kierkegaard.”  The Living Church (May 12, 2013): http://livingchurch.org/kierkegaard-and-mystery?buffer_share=d0111&#38;utm_source=buffer&#38;utm_medium=twitter&#38;utm_campaign=Buffer%253A%252BCovenantTLC%252Bon%252Btwitter. &#160; Review of The Stages: A Novel.  Publishers Weekly.  22 April 2013.  http://www.publishersweekly.com/978-1-301-08248-3. &#160; Green, William.  “Character, Plot, and Pastries: An Interview with Thom Satterlee.”  Taylor University English Department Blog (Feb., 2013): [...]]]></description>
				<content:encoded><![CDATA[<p>Here are links to recent reviews and interviews:</p>
<p>&nbsp;</p>
<ul>
<li>Peterson, Amy Lepine.  “Thom Satterlee Celebrates Søren Kierkegaard.”  <i>The Living Church </i>(May 12, 2013): <a href="http://livingchurch.org/kierkegaard-and-mystery?buffer_share=d0111&amp;utm_source=buffer&amp;utm_medium=twitter&amp;utm_campaign=Buffer%253A%252BCovenantTLC%252Bon%252Btwitter">http://livingchurch.org/kierkegaard-and-mystery?buffer_share=d0111&amp;utm_source=buffer&amp;utm_medium=twitter&amp;utm_campaign=Buffer%253A%252BCovenantTLC%252Bon%252Btwitter</a>.</li>
</ul>
<p>&nbsp;</p>
<ul>
<li>Review of <i>The Stages: A Novel</i>.  <i>Publishers Weekly</i>.  22 April 2013.  <a href="http://www.publishersweekly.com/978-1-301-08248-3">http://www.publishersweekly.com/978-1-301-08248-3</a>.</li>
</ul>
<p>&nbsp;</p>
<ul>
<li>Green, William.  “Character, Plot, and Pastries: An Interview with Thom Satterlee.”  Taylor University English Department Blog (Feb., 2013): <a href="http://english.taylor.edu/?p=307">http://english.taylor.edu/?p=307</a>.</li>
</ul>
<p>&nbsp;</p>
<ul>
<li>Rivers, Tom.  &#8220;Batavia Native Pens Scandinavian Crime Thriller.&#8221;  <em>Batavia Daily News</em> (Jan. 5, 2013): <a href="http://thedailynewsonline.com/lifestyles/article_557a3554-aadb-57c7-8f4d-e4520b164042.html">http://thedailynewsonline.com/lifestyles/article_557a3554-aadb-57c7-8f4d-e4520b164042.html</a></li>
</ul>
<p>&nbsp;</p>
]]></content:encoded>
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		<item>
		<title>If this were the last poem and you were writing it&#8230;</title>
		<link>http://www.thomsatterlee.com/if-this-were-the-last-poem-and-you-were-writing-it/</link>
		<comments>http://www.thomsatterlee.com/if-this-were-the-last-poem-and-you-were-writing-it/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 13:21:54 +0000</pubDate>
		<dc:creator>Thom Satterlee</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.thomsatterlee.com/?p=474</guid>
		<description><![CDATA[If this were the last poem and you were writing it what would you want to say? &#160; Imagine that no one will read it because as soon as you’re finished, so is the world. &#160; It’s rather difficult to start now, isn’t it, knowing that you’ll end unheard, &#160; and equally difficult to stop [...]]]></description>
				<content:encoded><![CDATA[<p>If this were the last poem and you were writing it</p>
<p>what would you want to say?</p>
<p>&nbsp;</p>
<p>Imagine that no one will read it because</p>
<p>as soon as you’re finished, so is the world.</p>
<p>&nbsp;</p>
<p>It’s rather difficult to start now, isn’t it,</p>
<p>knowing that you’ll end unheard,</p>
<p>&nbsp;</p>
<p>and equally difficult to stop</p>
<p>knowing that the world ceases with this poem.</p>
<p>&nbsp;</p>
<p>Of course this is all hypothetical.</p>
<p>You have no real pressure on you.</p>
<p>&nbsp;</p>
<p>So why do you pinch your lip like that</p>
<p>and stare out the window?</p>
<p>&nbsp;</p>
<p>Naturally, if you’d like, you could have</p>
<p>a bluebird in the world’s last poem</p>
<p>&nbsp;</p>
<p>since no one will be around to criticize you</p>
<p>and anyway, who would mind a bluebird?</p>
<p>&nbsp;</p>
<p><i>A bluebird lands near roses, red and yellow.</i></p>
<p>Good.  That&#8217;s a fine beginning.  What more?</p>
<p>&nbsp;</p>
<p><i>It hunts for grubs to feed its young.</i></p>
<p>I think I see where this is going.  I&#8217;ll leave now.</p>
<p><i> </i></p>
<p><i>It will not rise and return to the nest box.</i></p>
<p><i>Something more than shadow passes over the sun.</i></p>
<p><i> </i></p>
<p><i>My lawn has been a place of beauty, now disappearing,</i></p>
<p><i>and I will miss it very much.</i></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Notice to All Solicitors</title>
		<link>http://www.thomsatterlee.com/notice-to-all-solicitors/</link>
		<comments>http://www.thomsatterlee.com/notice-to-all-solicitors/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 15:01:31 +0000</pubDate>
		<dc:creator>Thom Satterlee</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.thomsatterlee.com/?p=470</guid>
		<description><![CDATA[If you have come to flatter or insult me (thief standing at my door as a friend; murderer hiding the knife behind your back) &#160; then prepare to leave disappointed. Though in the past my eyes grew big anticipating the good or the bad you brought me, &#160; I must advise you that I no [...]]]></description>
				<content:encoded><![CDATA[<p>If you have come to flatter or insult me</p>
<p>(thief standing at my door as a friend;</p>
<p>murderer hiding the knife behind your back)</p>
<p>&nbsp;</p>
<p>then prepare to leave disappointed.</p>
<p>Though in the past my eyes grew big</p>
<p>anticipating the good or the bad you brought me,</p>
<p>&nbsp;</p>
<p>I must advise you that I no longer live alone.</p>
<p>There is in me a Spirit that is stronger than me,</p>
<p>and by its counsel I must now cancel all accounts</p>
<p>&nbsp;</p>
<p>previously held with you.  Please remove my name</p>
<p>from your list of customers and do not return again.</p>
<p>Henceforth, I will not be buying the merchandise you peddle.</p>
<p>&nbsp;</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Postcards from Northern Indiana</title>
		<link>http://www.thomsatterlee.com/postcards-from-northern-indiana/</link>
		<comments>http://www.thomsatterlee.com/postcards-from-northern-indiana/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 15:14:47 +0000</pubDate>
		<dc:creator>Thom Satterlee</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.thomsatterlee.com/?p=465</guid>
		<description><![CDATA[No mountains.  Hardly a hill. The Great Lakes stopped short of the border so’s not to trouble Hoosiers with untillable soil always under water. &#160; ** &#160; Who wants overwhelming beauty? Take a plane from Ft. Wayne, get yourself to either coast or down to Florida, no time. &#160; ** &#160; We do have birds: [...]]]></description>
				<content:encoded><![CDATA[<p>No mountains.  Hardly a hill.</p>
<p>The Great Lakes stopped</p>
<p>short of the border</p>
<p>so’s not to trouble Hoosiers</p>
<p>with untillable soil</p>
<p>always under water.</p>
<p>&nbsp;</p>
<p>**</p>
<p>&nbsp;</p>
<p>Who wants overwhelming beauty?</p>
<p>Take a plane from Ft. Wayne,</p>
<p>get yourself to either coast</p>
<p>or down to Florida, no time.</p>
<p>&nbsp;</p>
<p>**</p>
<p>&nbsp;</p>
<p>We do have birds: blue birds,</p>
<p>cardinals, herons, woodpeckers—</p>
<p>yesterday I watched a pileated</p>
<p>hammer away high up the trunk</p>
<p>of an ash tree dying from</p>
<p>that Asian beetle mess.  Well,</p>
<p>even twenty yards off</p>
<p>and other trees between us</p>
<p>I still saw that flash of red,</p>
<p>the blur of his going at it.</p>
<p>Obviously a working bird</p>
<p>putting in his shift.  Have to</p>
<p>respect that kind of thing.</p>
<p>&nbsp;</p>
<p>**</p>
<p>&nbsp;</p>
<p>I won’t lie about trash</p>
<p>along the roads.  You’d think</p>
<p>the seed companies were</p>
<p>marketing a new crop variety&#8211;</p>
<p><i>Polar Pop cups: creamy white</i></p>
<p><i>with blue markings; known</i></p>
<p><i>to resist all insects; simply</i></p>
<p><i>broadcast from car window</i></p>
<p><i>any season, any speed;</i></p>
<p><i>grows particularly well</i></p>
<p><i>along fencerows and</i></p>
<p><i>underneath mailboxes</i>.</p>
<p>&nbsp;</p>
<p>**</p>
<p>&nbsp;</p>
<p>But litter goes away.</p>
<p>Someone picks it up</p>
<p>or grass grows over it.</p>
<p>You live here a while</p>
<p>you see the good deeds</p>
<p>of man and nature.</p>
<p>&nbsp;</p>
<p>**</p>
<p>&nbsp;</p>
<p>This field’s corn,</p>
<p>that one’s soybean.</p>
<p>A year from now</p>
<p>they’ll switch places.</p>
<p>&nbsp;</p>
<p>Come harvest, farmers</p>
<p>run combines through the night.</p>
<p>Their headlights sweep I-69</p>
<p>as they turn for the next row.</p>
<p>&nbsp;</p>
<p>In late October, neighbors</p>
<p>gather at a bonfire.  Sparks</p>
<p>rise to the stars.  Laughter</p>
<p>from plastic lawn chairs.</p>
<p>&nbsp;</p>
<p>“Love your chili soup!”</p>
<p>“Who made the apple cake?”</p>
<p>The guest from somewhere else</p>
<p>remarks how nice it all is,</p>
<p>&nbsp;</p>
<p>which prompts a local boy:</p>
<p>“Yeah, fall’s a great time</p>
<p>to think Indiana’s quaint.</p>
<p>Just don’t drive anywhere in winter</p>
<p>&nbsp;</p>
<p>without a shovel in your trunk&#8211;</p>
<p>and a blanket, and an emergency kit.</p>
<p>It’s not that windy tonight, but</p>
<p>we do have something called tornados.”</p>
<p>&nbsp;</p>
<p>**</p>
<p>&nbsp;</p>
<p>Listen.  That’s a train whistle.</p>
<p>Hear it all day long.  What</p>
<p>does it say in short blasts,</p>
<p>now long wails?  Says,</p>
<p>“passing through, passing</p>
<p>through—pardon me, pardon</p>
<p>me.”  If it doesn’t thank</p>
<p>the flat land for holding</p>
<p>its railbed steady, years now,</p>
<p>I will.  This is the crossroads</p>
<p>of America.  This is the country</p>
<p>people pass through</p>
<p>on their way elsewhere.</p>
<p>Only the lucky ones stay.</p>
<p>&nbsp;</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Ten Ways to Know that You&#8217;re a Perfectionist</title>
		<link>http://www.thomsatterlee.com/ten-ways-to-know-that-youre-a-perfectionist/</link>
		<comments>http://www.thomsatterlee.com/ten-ways-to-know-that-youre-a-perfectionist/#comments</comments>
		<pubDate>Thu, 25 Apr 2013 13:05:23 +0000</pubDate>
		<dc:creator>Thom Satterlee</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.thomsatterlee.com/?p=461</guid>
		<description><![CDATA[1. You prefer even numbers.  The number ten has an especially strong pull for you. &#160; 2. The night before the big test, you couldn’t sleep. This happened in the Third Grade. &#160; 3. Your family expects you to set the dinner table because you alone know the rules of symmetry governing plates, glasses, flatware, and [...]]]></description>
				<content:encoded><![CDATA[<p>1.</p>
<p>You prefer even numbers.  The number ten has an especially strong pull for you.</p>
<p>&nbsp;</p>
<p>2.</p>
<p>The night before the big test, you couldn’t sleep. This happened in the Third Grade.</p>
<p>&nbsp;</p>
<p>3.</p>
<p>Your family expects you to set the dinner table because you alone know the rules of symmetry governing plates, glasses, flatware, and napkins.</p>
<p>&nbsp;</p>
<p>4.</p>
<p>Throughout your life, people have expected great things from you and you have done your best to exceed their expectations.</p>
<p>&nbsp;</p>
<p>5.</p>
<p>For you, a grocery list presents an opportunity to improve your penmanship.</p>
<p>&nbsp;</p>
<p>6.</p>
<p>If you keep a personal journal, then you have (at least once, though probably many times) paused mid-sentence to check the spelling of a word.</p>
<p>&nbsp;</p>
<p>7.</p>
<p>You know which brand of bleach offers the advantage of not just whiter but the whitest shirts.</p>
<p>&nbsp;</p>
<p>8.</p>
<p>Before you look in a mirror, your hand is already straightening a loose hair.</p>
<p>&nbsp;</p>
<p>9.</p>
<p>At the fanciest hotel you’ve ever stayed in, you found fault with the bedding.  You tugged the comforter 1/8<sup>th</sup> of an inch to one side, then asked a friend or spouse to hold one end (head or footboard, you were willing to compromise here) while you pulled the other tight.</p>
<p>&nbsp;</p>
<p>10.</p>
<p>You’re not unreasonable.  You know that the world is an imperfect puzzle.  But you also know that you were born to put it together perfectly.</p>
]]></content:encoded>
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		<item>
		<title>Before the Days of GPS</title>
		<link>http://www.thomsatterlee.com/before-the-days-of-gps/</link>
		<comments>http://www.thomsatterlee.com/before-the-days-of-gps/#comments</comments>
		<pubDate>Wed, 24 Apr 2013 13:56:59 +0000</pubDate>
		<dc:creator>Thom Satterlee</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.thomsatterlee.com/?p=459</guid>
		<description><![CDATA[You remember that time, don’t you? Your mother held the baby on her lap, and your father drove the station wagon through new landscapes.  “Feeling his way,” he called it, tracing the edges of his mind’s map.  “Pull over,” your mother told him.  “I can’t hold the baby and look at the map.”  Your father [...]]]></description>
				<content:encoded><![CDATA[<p><em></em></p>
<p>You remember that time, don’t you?</p>
<p>Your mother held the baby on her lap,</p>
<p>and your father drove the station wagon</p>
<p>through new landscapes.  “Feeling his way,”</p>
<p>he called it, tracing the edges</p>
<p>of his mind’s map.  “Pull over,”</p>
<p>your mother told him.  “I can’t hold the baby</p>
<p>and look at the map.”  Your father kept</p>
<p>feeling his way past checkpoints and</p>
<p>ghost towns, following highways that wouldn’t</p>
<p>lie still for Rand McNally, but got up and changed</p>
<p>directions without a single sign of warning.</p>
<p>&nbsp;</p>
<p>You were a child then and trusted</p>
<p>whoever steered the car.  You couldn’t understand</p>
<p>the air’s nervous crackling, or why</p>
<p>your mother stifled her scream (but screamed)</p>
<p>when there was nothing urgent in being lost,</p>
<p>plenty to look at from the back seat window,</p>
<p>and so what if the baby cried.  The baby always cried.</p>
<p>Miles passed by.  You almost couldn’t feel</p>
<p>the way your family grew close through adversity.</p>
<p>You’d almost say the whole trip was a wrong turn</p>
<p>if you knew, then or now, what the right turn was.</p>
]]></content:encoded>
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		<item>
		<title>Too Late Now</title>
		<link>http://www.thomsatterlee.com/too-late-now/</link>
		<comments>http://www.thomsatterlee.com/too-late-now/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 12:33:23 +0000</pubDate>
		<dc:creator>Thom Satterlee</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.thomsatterlee.com/?p=456</guid>
		<description><![CDATA[I’ll never be the Strong Man in the circus. &#160; Someone else will have to speak for me in the six thousand languages I didn’t learn. &#160; The Board of Common Sense is final in denying my application for polygamy. I do not regret their decision. &#160; You might remember me as the star of [...]]]></description>
				<content:encoded><![CDATA[<p>I’ll never be the Strong Man in the circus.</p>
<p>&nbsp;</p>
<p>Someone else will have to speak for me</p>
<p>in the six thousand languages I didn’t learn.</p>
<p>&nbsp;</p>
<p>The Board of Common Sense is final</p>
<p>in denying my application for polygamy.</p>
<p>I do not regret their decision.</p>
<p>&nbsp;</p>
<p>You might remember me as the star</p>
<p>of World Cups ’90 and ’94, if I’d played in them.</p>
<p>A sub-three hour marathon is now impossible</p>
<p>without the aid of a motorized vehicle.</p>
<p>&nbsp;</p>
<p>And there are other losses, deeply personal</p>
<p>and irretrievable, which I could list here</p>
<p>in moving detail that would make you cry,</p>
<p>if I still cared to manipulate feelings&#8211;</p>
<p>yours, mine, or any stranger passing by.</p>
]]></content:encoded>
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		<title>Ars Poetica</title>
		<link>http://www.thomsatterlee.com/ars-poetica/</link>
		<comments>http://www.thomsatterlee.com/ars-poetica/#comments</comments>
		<pubDate>Mon, 22 Apr 2013 16:12:37 +0000</pubDate>
		<dc:creator>Thom Satterlee</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.thomsatterlee.com/?p=454</guid>
		<description><![CDATA[After the flood, a million days of sun. From the mud emerges many new figures, all lined up, row after row on the horizon. &#160; You wouldn’t know them, not even your nearest kin—unless&#8230; is that him holding the empty leash, looking around for something he’s lost? &#160; Creation begins this way: what was before, [...]]]></description>
				<content:encoded><![CDATA[<p>After the flood, a million days of sun.</p>
<p>From the mud emerges many</p>
<p>new figures, all lined up,</p>
<p>row after row on the horizon.</p>
<p>&nbsp;</p>
<p>You wouldn’t know them,</p>
<p>not even your nearest kin—unless&#8230;</p>
<p>is that him holding the empty leash,</p>
<p>looking around for something he’s lost?</p>
<p>&nbsp;</p>
<p>Creation begins this way:</p>
<p>what was before, is no more.</p>
<p>Only the elements’ invisible code</p>
<p>pulses.  Can you feel it?  Good!</p>
]]></content:encoded>
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		<title>Photograph: Autumn, 1983 in Front of the Carlsen’s House in Kolding, Denmark (with Apologies to Erik)</title>
		<link>http://www.thomsatterlee.com/photograph-autumn-1983-in-front-of-the-carlsens-house-in-kolding-denmark-with-aplogies-to-erk/</link>
		<comments>http://www.thomsatterlee.com/photograph-autumn-1983-in-front-of-the-carlsens-house-in-kolding-denmark-with-aplogies-to-erk/#comments</comments>
		<pubDate>Fri, 19 Apr 2013 16:11:30 +0000</pubDate>
		<dc:creator>Thom Satterlee</dc:creator>
				<category><![CDATA[Denmark]]></category>
		<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.thomsatterlee.com/?p=450</guid>
		<description><![CDATA[That boy with the long blond hair parted in the middle and feathered on the sides; that one, there, in his Umbro warm-up jacket and shorts the colors of the Danish flag—that’s me! And in front of me, the black, no-frills bicycle, stern as strong religion, handlebars properly adjusted, tires inflated to the prescribed correct [...]]]></description>
				<content:encoded><![CDATA[<p>That boy with the long blond hair</p>
<p>parted in the middle and feathered on the sides;</p>
<p>that one, there, in his Umbro warm-up jacket</p>
<p>and shorts the colors of the Danish flag—that’s me!</p>
<p>And in front of me, the black, no-frills bicycle,</p>
<p>stern as strong religion, handlebars properly adjusted,</p>
<p>tires inflated to the prescribed correct pressure,</p>
<p>tires that, by looking at them you know</p>
<p>they’ve never popped a wheelie—that’s Erik’s bike.</p>
<p>We should never have been a pair, we two.</p>
<p>You can see I’m sixteen and impish.</p>
<p>You can tell the bike has absolutely no sense of humor.</p>
<p>Why should it?  It was built for sensible commutes</p>
<p>along designated bike lanes through a middle-sized Danish town.</p>
<p>Erik probably read it <i>The Standard Manual for Cycling Safety</i></p>
<p>each night before putting it to bed in his garage.</p>
<p>And here comes this American kid.</p>
<p>I just wanted to take it for a spin.</p>
<p>Erik couldn’t understand.  “A bike is not a toy,”</p>
<p>he said.  “You shall ride it to school tomorrow.”</p>
<p>I pushed.  <i>To see how it feels, to get used to the ride</i>.</p>
<p>I peddled past houses with red-tiled roofs and tidy front lawns,</p>
<p>but quickly grew bored and headed off for the woods&#8230;</p>
<p>Had Erik told me not to?  Or had he assumed</p>
<p>something so obvious needed no translation?</p>
<p>It happened that the path was slick.</p>
<p>It happened that I’d picked a steep one.</p>
<p>My body still holds the memory of falling</p>
<p>(gravity it turns out is universal)</p>
<p>and I remember the sad wobble in the bike’s front tire</p>
<p>when I pushed it home to Erik.  But what Erik said,</p>
<p>if he said anything, I can’t recall.  A look—yes, he probably gave me one.</p>
<p>Whatever the photo seems to say, this is true:</p>
<p>the next morning I rode a city bus to school.</p>
<p>And the morning after that one, too.</p>
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		<title>Where Were We?</title>
		<link>http://www.thomsatterlee.com/where-were-we/</link>
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		<pubDate>Thu, 18 Apr 2013 16:30:31 +0000</pubDate>
		<dc:creator>Thom Satterlee</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://www.thomsatterlee.com/?p=446</guid>
		<description><![CDATA[You were saying something about disappointment. Yes. How, the first time, you remember looking around, still hoping. That’s right. But you must have stopped hoping. No, not really. But you were telling me about something you wanted over forty years ago! Seahorses.  I’d seen them in a magazine for children.  I clipped the form out [...]]]></description>
				<content:encoded><![CDATA[<p><i>You were saying something about disappointment</i>.</p>
<p>Yes.</p>
<p><i>How, the first time, you remember looking around, still hoping</i>.</p>
<p>That’s right.</p>
<p><i>But you must have stopped hoping</i>.</p>
<p>No, not really.</p>
<p><i>But you were telling me about something you wanted over forty years ago!</i></p>
<p>Seahorses.  I’d seen them in a magazine for children.  I clipped the form out carefully. My father wrote a check.  We mailed everything in&#8230;</p>
<p><i>After a month&#8230;after a year, surely you gave up</i>&#8230;</p>
<p>Their heads were shaped like horses, and their bodies curled back like shrimp.  I was going to keep them in my bedroom, in a bowl of water.</p>
<p><i>But they never came</i>.</p>
<p>I must have forgotten about them.  But something else took their place.</p>
<p><i>And after that, something else; again, something else</i>.</p>
<p>Why doesn’t disappointment teach the mind to stop hoping?</p>
<p><i>For some people it does.  Would you like to be one of those people</i>?</p>
<p>If I tried, I’d probably be disappointed.</p>
<p><i>That’s true.  And you’d never get over it either.</i></p>
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